Wrist or Hand Pain with Cycling? Try Sweptback Bars!

Health

There’s Got to be a Way

Two years ago, my doctor diagnosed carpal tunnel syndrome. Pretty depressing to hear those three words. But an EMG test ruled out carpal tunnel.

With that good news, I kept riding. But I had to change something to lessen the pain. I thought what I needed was getting the weight off my hands.

Cheapest Option, First

I first tried bar ends (below).

bar ends

This was the cheapest option. Bar ends gave me three hand positions, with one far above the handlebars; gripping the little curved “horn” at the top is like riding a chopper motorcycle, taking all my body weight off of my hands.

This was when the pain got really bad. Even with little body weight on my hands, riding with my hands at shoulder height placed the weight of my dangling arms squarely  onto my wrists. The pain got so serious, I had to take time off of work.

More — and More-natural — Hand Positions

I tried drop bars.  Drop bars offer three hand positions. And two of those put your grip in a more natural attitude: rather than palms-down–the position that really strained my wrists–the “hoods” and the drops place your hands in neutral, like when dangling at your sides or shaking hands. But, sadly, riding on the hoods or the drops presses body weight onto the hands.

My brother, who races cyclocross, suggested a way of keeping the neutral hand position while keeping body weight off: he said to get my hands not up , but back.

Picture the suave European bicycle commuter, riding completely upright, with hands back and low (below). That’s the combination for ultimate comfort.

The only drawback: it’s so un-sporty.

amsterdam_bicycle_suit

Swept Back, Low . . . and Sporty!

Then I saw this trike!

tricycleI

I fell in love with this tricycle’s “aggressive,” upside-down installation. Some cool bike designer had the vision to flip the handlebars over because it looks cool. The result:  the hands are both back and low, while creating a rakish, jaunty profile.

So I researched “swept back” bars, intending to install them upside-down. I found the sparrow style, first (below).

sparrow_road levers

Swept back, for sure, they just weren’t back far enough, only about 30-40 degrees.

The Surly “Open” bars (below) were swept back more, 53-degrees.

surly open bar

The Velo Orange “Tourist” bars were getting closer, at about 60-degrees. Plus, installed upside down, the Tourist looks awfully slick (below).

Tourist

I eventually settled on the Nitto “Albatross”, with an 85-degree sweep (below).

Nitto-bar-compare3

And, actually, the term I should be emphasizing here is not “sweep,” but rather “reach.” In this photo compare the reach of the Nitto Mustache (90 mm) vs. the Nitto Albatross (170 mm).

reach - albatross vs. mustache

The longer the reach, the farther back your hand position, and the more upright you’ll be, taking more weight off of your hands.

Here’s my cyclocross bike (below), with the Nitto Albatross installed upside-down. Pretty cool, huh! Neutral hand position. And my hands are back far enough to take 95% of the weight off.

bike for blog

I have since been undergoing serious physical therapy for the hand pain. But in the meantime I’m riding my bike with a lot more comfort. My Albatross bars are taped all the way across for three hand positions.

Technical Considerations

NOTE:  Choosing handlebars is somewhat complex.  The diameter of the tubing must fit your existing brake clamps and/or shifter clamps.

Diameter measurements are critical at two different places on the bars (three, if you want to go with bar-end shifters):

1) clamp diameter (where the stem clamps the bars)

2)  tube diameter (where you want to install the brake levers).

Replacing drop bars? Unless it’s a vintage bike, the stem clamp diameter is either 25.4 mm, 26.0 mm (Italian std.), or the more recent “oversized” 31.8 mm.  (See Sheldon Brown:  http://sheldonbrown.com/harris/handlebars/index.html.) Given all these variables, you may or may not be able to keep your existing stem. But the stem is fairly inexpensive. You may want a new stem, anyway, for improved height or shorter reach.  The point is to get you more upright and get the weight off your hands.

But test out your new swept back bars with your existing stem. Have the second, very different stem, picked out to compare the two.  If it’s a “pop top” stem, it’s an easy switcheroo.

Tube diameter is the more expensive consideration. Going to a swept back bar may require you to replace your existing brake levers and shifters. In my case, I had to replace all of the above. The expensive bar-end shifters ($120), set me back nearly $400 for the complete customization.  By the way, bar end shifters require an interior tube diameter of 20 mm.

Most swept-back bars come in 23.8 mm, which does not accept MTB brake levers. (MTB brake levers require 22.2 mm tubing; some mechanics claim you can simply “shim it”; don’t listen to them if you want your brake levers to remain positioned properly.) I really wanted two-finger style MTB brake levers, which would’ve been easier on my hands.  But you can’t have everything.  The next best thing for me was Shimano’s BL-R550 road break lever set (see my bike, above).

SECOND CAVEAT: some of these measurements might be off.  Please confirm them with your LBS before ordering any parts.  You can also check here:  http://sheldonbrown.com/gloss_ha-i.html

Good luck!

My Super Niche Business: An Equipment Rental House and Studio for Commercial Photography

Entrepreneurship

Window Logo & Client Area - Gaeme

A niche business? How about renting studio space to commercial photographers?

That was my first entrepreneurial venture, called Silver Street Studio, LLC. (I’ve previously blogged about it here.) For eight years I supplied a fully-equipped shooting space to photographers by the day.

Little known outside the photo industry, commercial photographers utilize day-rentals for equipment and studios. It makes perfect sense. They work in hundreds of cities around the world, rarely shooting in the same town more than a day or two at a time. They don’t travel with their own gear; the equipment doesn’t travel well; it’s heavy, yet fragile. Plus, the risk of damage, or of the airline losing the equipment, is too great when a $50,000-a-day budget depends on a strict production schedule.

The solution: renting the gear and studio in the city of the day’s shoot. For gear, they rent lighting equipment, computers, even cameras.

More importantly, by industry custom, the photographer expenses the client for every rental. Most will even charge the client a 15%-20% markup on equipment rentals. For photographers, this is the ultimate in low overhead.

My business stocked over 200 different studio lights and accessories. It made me nervous to keep over a quarter-million dollars worth of gear in our equipment room.  We carried the Profoto and Matthews brands–the global industry standards for lighting and grip.  High-end commercial photographers will work with nothing less.

profoto poster

Our studio sported a very nice, two-station hair and makeup counter, a client lounge, a wardrobe styling area, and a modest-sized cyclorama.

silver street hair and makeup - new - taylor

studio page 10

studio page 2

We hosted countless shoots, some for celebrity portraiture.  When Blender Magazine needed a cover shoot of comedian Dave Chapelle, they caught up with him in Houston and booked our studio. In the days leading to the shoot, Chapelle’s producer urged me to keep a low profile for the day’s events.  Then they arrived in the not-so-low-profile tour bus!

Chappelle bus

For location shoots (i.e., not in our studio), I would deliver equipment throughout the Houston metro area, as well as to Austin, San Antonio, and New Orleans, where high-end photo equipment rentals did not exist at the time. I hauled the gear with my trusty little Thule trailer.

trailer

SAS vs. NBA: Basketball Bodies

Health, Media

Spurs_on_court

Many NBA stars are built like NFL players.  That is, except for the San Antonio Spurs.

Kawhi Leonard actually has some pretty beefy muscles.  But he’s the “biggest” on the team, by far; his built-up muscles are atypical for San Antonio.

Compare a few famous physiques:

NBA                                                                                     NFL

SF  Lebron James — 6-8 / 260 lbs.                  DE  J.J. Watt — 6-6 / 240 lbs.

SF  Larry Johnson — 6-7 / 250                          LB  Lawrence Taylor — 6-6 / 250

SG  Derek Fisher — 6-1 / 210                              RB  Reggie Bush — 6-0 / 203 lbs.

 

Think about those numbers.  Compare Michael Jordan’s height / weight:

SG  Michael Jordan:  6-6 / 216 lbs.

SG  Dwyane Wade:  6-2 / 220 lbs.

And Jordan was big for the league of his day.  When he first entered the league, MJ weighed only 200 pounds.  He bulked up after the Pistons manhandled him in both the 1989 and 1990 Eastern Conference Finals using their new defensive strategy, the “Jordan Rules.”  Jordan himself attributes his 1991 success in defeating the Jordan Rules to his increased power and bulk from off-season strength training.  (See ESPN Films, 30 for 30 Bad Boys.)

This seems to mark the beginning of the arms race in ever more massive NBA bodies.  The trend’s logical conclusion?  Shaquille O’Neal, heaviest (and, some would argue, most overrated) NBA star of all-time.  Shaq scored a lot, passed the ball little.  If you’re seven feet tall, have explosive strength, and you weigh 100+ pounds more than the individual guarding you, why wouldn’t you?

Shaq offensive foul

 

Too many NBA teams today feature an incredibly powerful superstar, give him the ball, and have him fly at the rim, scattering smaller defenders like bowling pins.  It makes for some eye-popping individual player highlights.  But I prefer team ball.

Ball movement is NBA conventional wisdom.  But it’s also something of a lost art.  The TV-announcer euphemism for high-time-of-possession individuals is the “go-to” player; NBA coaches use the term “ball stopper.”  That term indicates the stoppage of ball movement on offense, not on defense.  While there’s nothing about built-up muscles that prevents a player from passing the ball, if you were bigger, stronger, and faster than nine of ten players on the floor, it would seem a rational choice to keep the ball and score 35 points.

It’s a legitimate choice, I suppose.  But is it merely a distraction from the true team-nature of basketball?  Is it just a coincidence that Coach Popovich has put together his team without any players that could pass for an NFL linebacker?

Some of the league’s current young guns:

eric bledsoe_576x324Eric Bledsoe — 6-1 / 200 lbs.
dwight-howard-mens-healthDwight Howard — 6-10 / 265

 

7-corey-magette

Corey Magette — 6-5 / 225

This is a shoe the Spurs just don’t fit.

 

Spurs championship team larger

 

Am I right?  I mean, think about this collection of guys.

Tony Parker — 6-1 / 180 lbs.

Manu Ginobli — 6-6 / 200 lbs.

Danny Green — 6-6 / 205

Kawhi Leonard — 6-7 / 225

Matt Bonner — 6-10 / 235

Tim Duncan — 7-0 / 250

Of their amazing 2014 Finals dominance, Manu Ginobili commented on how “differently” the Spurs play.  In the Bleacher Report piece “Passing stats Illustrate Spurs Dominance in Finals,” Ginobili says “if you don’t have as much talent, you still can do it. You can move the ball and put a lot of pressure on the defense.”  He may as well have said “if you don’t have as much muscle . . .”

Judging from their bodies, as a team, the Spurs don’t just play different.  They are different.

 

Beautiful New Business Cardholders

Entrepreneurship

IMG_3297

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For all the mind-numbing busywork of starting a new business, certain tasks come with real  emotional rewards.  That’s certainly the case in choosing this new business card holder.  Like practically every other piece of start-up research, this one took time and shoe leather.  After visiting four physical shops and nearly two dozen Etsy stores, I finally settled on this handsome handcrafted wooden piece.

What clinched it for me was the manufacturer, Inelastic Goods, is a one-man operation based right here in Madison.  Steve, the creator of the line, delivered the item himself, eager to show me six or seven different models.  I jumped at the chance to buy two additional cardholders at a discount.

I’m keeping the white oak for myself and have bought two of the darker wenge wood models for gifts.  The wenge wood model is striking in the contrast of two dark planes sandwiching a lighter maple side piece.  The white oak does the opposite, playing up the continuous grain and color, as if the box were carved from a single block of wood.

IMG_3308

IMG_3307

 

 

 

 

 

 

 

 

 

All models come with a magnetic closure that clicks shut oh so satisfyingly.  I catch myself playing with it constantly.  Plus, beyond the visual delight of the hand-finished hardwoods, Steve’s execution of the clean, minimalist design is unparalleled.  Each piece feels stunningly smooth in the hand, the joinery, edges, and curves so silky and organic.

By day, Steve works as an engineer for the state of Wisconsin.  On his own time he exercises his entrepreneurial spirit, refining his craft, streamlining his processes and tools, with the aim of not only perfecting the product, but boosting productivity.  His woodshop has become so efficient, he’s recently made good on a private order of sixty business cardholders to a private individual.

Head over to Steve’s Etsy shop for a look at the different models:

https://www.etsy.com/shop/InelasticGoods?ref=l2-shopheader-name

My Rental Studio Business: Big Multiday Photo Shoots

Entrepreneurship, Media
Magazine cover shot in my rental studio business

Magazine cover shot in my rental studio business

My Rental Studio Business:  Big Multiday Photo Shoots

Weddings in Houston, the city’s premier wedding vendor resource, shot many of its covers at my photography rental studio, Silver Street Studio.  Editor and publisher Radhika Day put together a crew that fired on all cylinders over the three-day shoot.  Crack stylist Summar Salah plied her stagecraft on three different glittery sets and twelve wedding gown wardrobes.  Hair and makeup by The Perfect Face transformed the models into showstopping brides.  And photographer Larry Fagala captured all the drama with technical expertise.

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One of three sets during the three-day shoot

ice storm

Food and Drink, Health

ice storm

We came out of Karaoke Kid and I had to ride home on my frozen bike.  For the two hours we were karaokiing, my bike was outside on a pole, getting sleeted to death.  On my way home, nothing worked.  Not my brakes, not my shifters.  Couldn’t hear the usual zippy-hum of my studded tires — they were encased in ice.

Favorite Clients from My First Small Business

Entrepreneurship, Media

Image

While running my rental studio, Silver Street Studio in Houston, it was exciting to work with photographers and agencies of international renown, like Mary Ellen Mark and Mark Seliger, Art Department and Greenhouse Reps.  But it was a special pleasure to work with those photographers and crews that were at bottom simply great human beings.

TONY D’ORIO PHOTOGRAPHY

I think immediately of Tony D’Orio, of Altoids fame.  (Note:  Tony’s photo used in the ad above was not shot in my studio).  How refreshing that, in a profession so rife with jealously guarded tricks of the trade, Tony instead offered a broad openness and generousness of spirit.  Over the course of a two-day shoot for McDonalds, he showed me a couple of studio equipment hacks that made my job easier and that would be enjoyed by other photographers in my studio for years to come.  For instance, he showed me how to switch out the hand-crank machine clamp of an Elinchrom Octabank–which have infamously weak grip—with the more robust clamp from a Matthews C-stand.

http://www.tonydorio.com/

FULTON DAVENPORT, PWL STUDIO

Image

Lucky for me I like photographer Fulton Davenport as much as I do since he was perhaps our biggest repeat client over the years.  With his busy creative firm, PWL Studio, Fulton was shooting in our space practically every other week for years.  One of his specialties is product photography, which was also a specialty of ours.  Take a look at the photo above, of Fulton at work for a high-end antique shop client.  The tabletop set is comprised of expendables and hardware we kept in stock and offered at no extra charge.  Even more to the point of product photography was our studio’s unsurpassed natural light.  Heres Fulton on shooting day light in our space:

“I love the highly technical work, like photographing objects with intense detail, a la Irving Penn shooting for Saks Fifth Avenue.  You’d normally need (or have to build) a light tent.   But here, you’ve got such huge windows on north and south, the light is perfect.  Tents are used just to simulate this.”

http://www.pwlstudio.com/

JUSTIN CALHOUN PHOTOGRAPHY

Imageastronaut mailer sofa guy

One of my favorite people, photographers or not, is Justin Calhoun.  Justin brought us a big job one summer, and one could tell how much the crew liked working for him.  The makeup department, the photo assistants, even the kraft service people were obviously inspired to work hard for Justin, with smiles all around.  What you see here in the two photos above is a Polaroid test shot (the client wanted Justin to shoot film, not digital) and one of the direct mail pieces ultimately produced from the images.

http://www.justincalhoun.com/

FELIX SANCHEZ PHOTOGRAPHY

Image

Another of our busy-busy clients was Felix Sanchez.  Felix was one of the first to shoot in our studio in the early days, and he continued to bring interesting jobs into our space over the next seven years.  (He has his own beautiful new studio now.)  Before becoming a photographer Felix played in a touring Tejano band, so naturally he’s photographed many musicians throughout his career.  Early on with us, Felix was kind enough to help me assimilate the vast expanse that is studio equipment.  He’d report on all of his new experiences experimenting with lighting equipment.  I based many of my equipment acquisitions on Felix’s information.  The job in the photo above was for Walmart, for which Felix transformed our cold, empty space into a warm and cozy living room.  Go check out his handsome new website.

http://www.felixsanchez.com/

Favorite Thing About My First Small Business?

Entrepreneurship

Fotofest gallery empty

I’d be hard-pressed to pick one favorite thing about running old rentals business, Silver Street Studio, LLC. Working with photo crews? Tasty catering? Both, awesome. But our Fotofest Biennial exhibits really stand out for me.

Every two years we’d donate our space for a month to house one of the thirty Fotofest Biennial exhibits. The Fotofest Biennial, according to their website, is “the largest event of its kind in the world”. . . a “platform for ideas and discovery, combining museum-quality art with important social and aesthetic issues.”

In the photo above you can see why I loved temporarily transforming my workaday photo studio into an elegant, clean modern art gallery. There were always anxiety butterflies in that first hour of the gallery opening, when only one person would show up (above).

That one person was of course the advance guard of the army that would follow. Ever have 500 people hanging out in your house? (My photo studio was in my backyard.)
Fotofest gallery crowd

Said army out in the bar in my carport.
fotofest the bar

My wife and I enjoy throwing parties. It’s safe to say our Fotofest gallery openings were our best attended shindigs. And at the end of the night, as the last of the army would be marching out, and our volunteers could take their first much-needed break (below), my wife and I would smile at each another, a bit incredulous we had really pulled off an event of such complexity and magnitude, and had a thrilling fun time doing it.
Fotofest gallery blur

Cooking Black Bean Soup “Together”

Food and Drink

Above is a photo of my wife handing off “Black Bean Soup” to me midstream, as she leaves for work in the morning. With me working nights, we’ve developed a system that leverages the benefits of tag-team cooking even when we can’t work on a meal together, and, as in this case, when we don’t even see each other in the morning because our waking schedules don’t overlap.

She and I each like to cook well enough on our own, but it’s way more enjoyable cooking together. Cooking together also allows us to take on more complex recipes, in part because the total number of tasks is cut in half. And since our cooking skills and preferences are so different from one another, I usually get to trade away my least favorite culinary chores in exchange for one’s my wife despises but I enjoy.

(Recipe from Cooking, Chic Simple)
black beans soup recipe